Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Monamy, Peter
A fleet coming to anchor

ID: 44739

Monamy, Peter A fleet coming to anchor
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Monamy, Peter A fleet coming to anchor


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Monamy, Peter

English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703  Related Paintings of Monamy, Peter :. | Flagship of Sir John Leake,coming to anchor in the bay of Barcelona | The Relief of Barcelona | A two-decker and a yacht anchored near a tower | The Capture of the San Joseph | A squadron of English ships beating to windward in a gale |
Related Artists:
BRESCIANINO, Andrea del
Italian painter (b. ca. 1487, Ferrara, d. after 1524, Ferrara)
Arturo Ferrari
(Milan, 1861 - 1932) was an Italian painter. Initiated into artistic studies by his father Cesare, an associate of Luigi Scrosati, and the painter Mose Bianchi from Lodi, Arturo Ferrari completed his training at the Brera Academy under the guidance of Giuseppe Bertini from 1877 to 1884 while working in the studio of Gerolamo Induno at the same time. He made his debut at the Esposizione di Belle Arti di Brera in 1879 with a view of the interior of Milan Cathedral, thus inaugurating the repertoire of Milanese perspective views that was to be a constant feature of his vast production of oil paintings and watercolours. He soon became the guiding spirit of a poetic and sentimental evocation of "Old Milan" during the phase of transition to the 20th century, when the face of the city changed radically through wholesale rebuilding. A regular participant in all the major exhibitions until 1932, the year of his death, he was the recipient of numerous marks of official recognition and enjoyed considerable success with the public as well as the esteem of conservative critics.
Maso di Banco
Italian Early Renaissance Painter, active 1320-1350






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